
It was a weekend of people and art: kind of exciting, kind of tiring. And now I’m getting ready for a long science fiction convention selling books.
Friday was Greater New York Mensa’s holiday party. Kind of a small turn-out, but a nice time. Well, except for the fact that Pamela felt the need to enhance my eyebrows with some of the cotton otherwise decorating the intensely decorated Papillon Bistro and Bar on 54th Street. Eh, it wasn’t that bad.
After the party, I walked to the subway with a new friend, past the Alliance-Bernstein Building, which has this cool globe in front. And here’s a close-up of it.
Got home late, and then got up early to ride the subway back into Manhattan. Got off at Canal Street and walked through the Lower East Side, seeing things I rarely see, such as this view of the Woolworth Building, and the Jewish Daily Forward Building (of which I didn’t take any pictures, but see this link: https://en.wikipedia.org/wiki/The_Forward#Jewish_Daily_Forward_Building
or this one: https://duckduckgo.com/?q=jewish+forward+building&t=h_&iax=images&ia=images
I was walking through the LES to meet up with Michele, Mary, and Erin for the Interactive Van Gogh exhibit on Pier 36. (Talking about it yesterday, I learned that there’s another, competing immersive Van Gogh exhibit in New York City; I didn’t see that one.) I walked around the building, took some pictures of the river and the bridges, and got to the entrance right on time. The exhibit was very impressive, though not exactly what I was expecting (obviously, I hadn’t read enough of it before we went). It was less like an art gallery, more like an all-around-you movie with a (slightly too loud) soundtrack. The exhibit takes Van Gogh’s paintings, projects them on the walls (and floors), animates pieces of them, duplicates and overlaps them, and sets it all to music. But it has a definite start and end point, as we discovered when the display ended with a credit scroll after half an hour… and then restarted. Two of the rooms are smaller, very dark, with interesting mirrored sculptures. The third, large room is much brighter (and in this room, the displays are also projected on the floor, making us part of it all. Michele commented on seeing the brush strokes, and as the images enlarged on the wall, it was very easy to see the individual strokes. I sat there a bit, trying to decide if we’d chosen the proper spot, or if, like the cosmological principle, every spot was the center point, the focal point of the show. Whichever it was, I got a good dose of art. I noticed a lot of people taking a lot of photos and videos while in the exhibit, but I decided to just absorb it, rather than try to record it, so if you want to see what it looks like, check out the link.
After the show, of course, there’s the gift shop and the pose-in-it frame (with poor lighting), so I did.
Then Chris joined us for a nice brunch, and then Erin left us, and the new quartet went up to 14th Street for the Banksy: Genius or Vandal? exhibit. He’s a very talented artist, and some of his pieces really grabbed me, but overall, I was less pleased with this one. It might have been the repeated theory that Banksy is opposed to capitalism, consumerism, etc., yet he sells limited edition prints of many of his works, and the exhibit charged a fairly hefty entry fee, and of course there’s the obligatory gift shop at the end… Well, it’s not really my taste. But for those who are fans, this is a good display of a lot of his work (in a much more traditional gallery format). And as with Van Gogh, I didn’t bother taking pictures in the exhibit.
And after that exhibit, we walked up town to Penn Station to get Michele to the train. Then we walked around Macys to see the windows, as the mist turned into a light rain, and Chris peeled off to catch his train. Then Mary and I walked up town, through the winter village in Bryant Park, through the mobs in Times Square, and out past the tree in Rockefeller Center, and to Saks, where we caught the lights-and-music show. Then we turned around, made better time walking south on Fifth Avenue (past the Library, with Patience and Fortitude wreathed for the season), and got Mary back to Penn Station minutes before her train left.
Then I walked back to Herald Square, caught my subway home, and got into the house five minutes before the light rain turned into a torrential downpour. A very nice two days with good friends (and one of these days, I’ll learn to take pictures of the people with me).
Today’s mail tells me I’m a fiction author again! Contributor’s copies of the January/February 2022 issue of
As I note in the bio attached to the story, this is my <gasp> 30th year of publishing fiction in Analog (my first, “Fermat’s Legacy,” was in the September 1992 issue).
I’ve just learned of the death of Jessica Young, on November 23. I knew it was coming for a long time, but that doesn’t make it any easier to accept. Last February, she emailed to tell me she had inoperable pancreatic cancer (the same thing that killed my grandmother two decades ago), and that she’d just been through a year of chemotherapy and high intensity radiation treatment. So I spent the last year sending her chatty emails every month or so, just to let her know I was thinking of her, and because I really was thinking of her.
I first met her at the Mensa Annual Gathering in St. Louis in 1995, where she took me to the Gateway Arch. We ran into each other again a few years later, at the AG in Philadelphia in 2000, which cemented our friendship. After that, we saw each other intermittently, at Annual Gatherings. With the coming of smart phones, we communicated more often, sharing fireworks photos when we weren’t at Independence Day celebrations together. We saw each other only rarely, but every time, it was just picking up where we’d left off the last time, one long friendship.
Only once did we see each other outside of Mensa: In February 2016, her chorus sang at Carnegie Hall, and she was in New York for nearly a week. I got to see her most of the days she was in town, showing her around my home town, enjoying her concert, seeing a Broadway show, just hanging out, as good friends do.
It’s starting to feel like the before-times again. I just got back from a weekend on the road (I was in Charlotte, North Carolina, for 
It’s publication day! But rather than writing something about the book, I’ll just copy author Allen Steele’s own commentary on his newest novel, Sanctuary:
The weekend was also remarkable for a certain group of attendees. We managed to take a picture with five of the six Region 1 Regional Vice Chairman who are in attendance. Left to right are: Lisa Maxwell (2015-17), Deb Stone (1999-2000), Teresa Campbell (2021- ), Lori Norris (2007-11), Ian Randal Strock (2017-21). Not pictured, but at the RG: Andrew Heffernan (2011-15). And talk about Mensa leadership positions: Lisa also served as Secretary. Deb was Chairman and Treasurer (the first person to serve on the AMC in another role after serving as chairman), and is currently a trustee of the Mensa Foundation. Lori is currently the First Vice Chairman, and was Secretary. And I’m currently the Secretary of the American Mensa Committee (the board of directors of this member-led organization).
I may have mentioned that Fantastic Books will be publishing Allen Steele’s new novel, Sanctuary, in early November. Now we’ve got the cover finalized, and I’m prompted to show it off because Publishers Weekly has just reviewed the book. PW says “Steele pulls off an unusual genre-bending adventure in this mélange of far-future alien-human interaction and classic gumshoe investigation.… Steele’s engaging tough-guy narrator and well-wrought alien culture make this an enjoyable romp for both science fiction and detective story fans.” You can read the full review