Publication day is in one fortnight, and now all the pre-order links are live! Resistance is being published as a charity anthology: profits from the sale (and pre-sales) of the book will be donated to the ACLU and to Pro Publica.
And to whet your appetite just a little more, here’s the full table of contents for the book:
Introduction by Ian Randal Strock Slow Burn in Alphabettown by Shariann Lewitt Horseman, Horseman, Horseman & Horseman, Attorneys at Law by Michael A. Ventrella The Logs by David Brin A Snake in the Grass by E.C. Ambrose The One Who Doesn’t Belong by Scott Edelman [BRAND NEW STORY] The Sultan’s Bath by Jean Marie Ward In Her Image by Michael A. Burstein Know Thyself Deathless by Keith R.A. DeCandido Suppose They Gave a Peace by Susan Shwartz The Visitors by Randee Dawn In Silver A by Cecilia Tan Black Market Magic by Hildy Silverman Overdue by Gail Z. Martin The Stun Gun Cure by Ron Kaiser [BRAND NEW STORY] What Happened to Them by Samantha Katz [BRAND NEW STORY] Exit Stage Right by Daniel M. Kimmel The Prowl by Gregory Frost Wideload by Allen Steele & Ian Randal Strock [BRAND NEW STORY] About This Book
I hope you’ll join me and all these wonderful authors—who have donated the use of their stories to the cause!—in declaring the Resistance, and incidentally reading some fantastic science fiction and fantasy stories.
Has anyone ever been able to use a tube of super glue more than once? You know, open the package, pierce the top, apply the few drops, and then reseal the tube. And then, the next time you need it, take off the cap, squeeze and squeeze to no effect, and then throw it out and buy a new tube.
I just sent this letter to the mayor, the head of the MTA, and my city councilman:
A few months ago, I was trying to get on the subway, but my card was apparently out of money. The refill-it machine wasn’t working, so I talked to the clerk sitting in the former token booth. She just let me in to the system without paying, and I felt guilty.
The evening of May 1, I was again getting on the subway at my home stop, and two people scurried ahead of me to walk through the open emergency gate without paying. I noted it, while digging out my subway card and tapping to pay my fair share. The clerk in the former token booth said nothing.
After the end of the night’s events, I and two friends boarded the M14A bus at Houston Street, about 12:45 AM on May 2. We rode to Union Square, where I transferred to the subway. But over the course of that bus ride, as we were sitting facing the middle door (it was one of the longer, flex buses), I watched about 30 people board the bus. Fewer than ten of them tapped their cards or phones to pay. Based on that admittedly tiny and unscientific sample, it looks like at least two-thirds of the people riding the bus are doing so for free right now. So what’s the point of Mayor Mamdani’s “free buses for all” campaign promise?
More to the point, each time I watch people entering the transit system without paying (and I’ve complained about the unwatched turnstiles at my home subway station many, many times), I feel like a schmuck for paying the fare.
After being forced to kill in order to protect their widowed mother, three brothers escape Mafia-controlled Sicily to the New World.
Life for immigrants in America during the second decade of the 1900s is difficult and often harrowing, but that’s the reality into which Peter, John, and Angelu Donatello are thrust when their ship docks in Philadelphia. As Peter tries to make his way in this new land through honest hard work, John’s talents—many learned fighting in the Great War—lead him to the seamier, but potentially more profitable, underworld. And all the while, Angelu, the youngest brother and a true innocent, struggles to just find a place for himself in a world he can never truly understand.
Prohibition may make criminals of honest men, but it also allows poor immigrants to mingle with the upper classes; the Donatellos among them. Yet, despite war and crime, marriage and loneliness, honor and betrayal, the brothers, each in their own way, cling to their creed of Supra tuttu la famigghia: Family is all.
Eventually, everything will lead them back to Sicily, to a confrontation with the forces that have shaped their lives, and to a heart-wrenching reconciliation.
Reminiscent of John Jakes’ Bicentennial series, The New Americans by Tony and Ty Drago is a wonderfully moving saga. The genesis of the story is itself a tale: in his final weeks, Tony Drago tape-recorded what his son Ty thought were simple reminiscences. It was only in the years following Tony’s death, after Ty became an established novelist, that he listened to the tapes and realized his father had left him, not a family history, but rather an emotional novel of immigration, rebirth, and growth. Milherst Publishing is honored to bring this story to the world.
The New Americans, by Tony & Ty Drago, will be released in six monthly installments, as both trade paperbacks and ebooks.
#1: Fuggitivi. $10.99, 182 pages, ISBN 978-1-5154-5842-5. February 3, 2026. #2: Strangers in Paradiso. $10.99, 186 pages, ISBN: 978-1-5154-5843-2. March 3, 2026. #3: The Pursuit of Felicita. $10.99, 184 pages, ISBN: 978-1-5154-5844-9. April 7, 2026. #4: The Philly Crew. $12.99, 230 pages, ISBN: 978-1-5154-5845-6. May 5, 2026. #5: A Leaf in the Turning. $12.99, 224 pages, ISBN: 978-1-5154-5846-3. June 2, 2026. #6: The Prodigal Sons. $10.99, 170 pages, ISBN: 978-1-5154-5847-0. July 7, 2025.
Book #4: The Philly Crew
Lessons sometimes educate both the student and the teacher and, as Peter learns English, Sarah—his tutor—learns about love. When his lessons end, they can finally be two people together. However, given Peter’s immigrant background, nearly everyone else in their lives has difficulty accepting their relationship. And the Donatello brothers’ current employment on the wrong side of the law, circumventing Prohibition, doesn’t help matters.
As the world changes, can people look deeper than accent and religion? Can Peter and Sarah be accepted as a couple? Will the Donatellos survive?
Oligarchs are grabbing power, rights are being trampled, and even with millions marching in No Kings rallies, we’re feeling helpless, hopeless, and unheard.
It is time to Resist!
It is more important than ever to stand up to be noticed, stand up for the downtrodden, stand up for what’s right.
With the publication of our newest anthology, Resistance, Fantastic Books is joining the fight. Profits from the sale of this anthology will be donated to two organizations that are doing their part: the American Civil Liberties Union and Pro Publica.
The eighteen science fiction and fantasy stories in this book tell tales of standing up for what’s right, fighting against oppression and repression, showing that even one person can make a difference. All the authors represented in this volume have donated their stories to help support the cause, and four of them—Scott Edelman, Ron Kaiser, Samantha Katz, and Allen Steele (in collaboration with Ian Randal Strock)—have provided brand-new, never-before-published stories. The other authors are: E.C. Ambrose, David Brin, Michael A. Burstein, Randee Dawn, Keith R.A. DeCandido, Gregory Frost, Daniel M. Kimmel, Shariann Lewitt, Gail Z. Martin, Susan Shwartz, Hildy Silverman, Cecilia Tan, Michael A. Ventrella, and Jean Marie Ward.
Resistance edited by Ian Randal Strock 300 pages, May 26, 2026 case laminate hardcover: $29.99, ISBN 978-1-5154-6997-1 trade paperback: $19.99, ISBN 978-1-5154-6996-4
Resistance—and all Fantastic Books books—are distributed via Ingram.
Looking for some research help. Specifically, I’m looking for any other religions with a concept similar to Judaism’s Shabbos goy.
For those who don’t know, a Shabbos goy is a non-Jew who is employed by Jews to perform certain types of work that Jewish religious law prohibits a Jew from doing on the Sabbath.
I’m not asking about the religious validity of the concept—whether it is allowed or not—just looking for other religions that might have a similar concept: someone not of the faith who is necessary to do things for the brethern that they are not themselves permitted to do.
Do you find it as jarring as I do, when reading fiction, if the narrator uses abbreviations rather than spelling out the words? Or, for that matter, uses Arabic numerals rather than spelling out the numbers (other than, you know, for ridiculously large numbers—there’s never any sense in spelling out two hundred ninety-nine million, seven hundred ninety-two thousand, four hundred and fifty-eight meters per second)?
What prompted this thought was a story I was reading, and the narrator’s voice says something about the intersection of Maple Blvd. and Elm Ave. In non-fiction or reporting, that’s fine. Indeed, it’s expected. But somehow, when I’m reading fiction, I find the abbreviations serve only to remind me that I’m reading words on a page, distancing me from the story I’m reading.
I find it even more of a literary turn-off when it occurs in dialogue, because nobody actually says “blivid,” so the writer really ought to spell out “boulevard.”
RealClear Polling doesn’t show a Congressional approval rating above 40% in the last 15 years. In the short term, Ballotopedia agrees. Gallup has Congress’s job approval rating in the teens.
In other words, everywhere we look, nobody likes what Congress is doing or how they’re doing their jobs. Every news story using those numbers predicts a massive change in Congress at the midterm election, shifting control to the Democratic party, and watchers hope they’re right.
But what none of those polls and none of those pundits are doing is looking at four hundred and thirty-five individual campaigns for four hundred and thirty-five individual seats in the House of Representatives.
And that’s why I think a lot of people looking forward to that massive change are going to be very disappointed next January 3, when the 120th Congress is seated. It’s very difficult to do legitimate polling on such a granular level, but the way our government is put together, combining the results of such tiny polling samples is the only way to get a legitimate estimation of what is going to happen. Because while the sentiments of 55%, or 60%, or 70% of the voting public in the US may be with the Democrats, that doesn’t matter. What matters is which candidate gets the greater number of votes in the California 41st, and the Texas 32nd, and the Florida 9th, and the New York 15th, and on and on and on. Each district, by itself, in an election of several hundred thousand people, upon which the opinions of 99.8% of the population matters not one whit.
Congressional approval ratings are always low. People never like what Congress—as a whole—is doing, or its direction. If that were the only thing that mattered, we’d see a tidal wave of electoral defeats among Representatives every two years. But we don’t. We don’t see that tidal wave, and we won’t as long as we have a body made up of representatives by geography who have chosen the boundary lines of their own districts in order to guarantee their re-election. And we, the voters, always vote to re-elect our own Congressional representatives.
As Ballotopedia told us, in the election of 2024, fifteen Representatives running for re-election were defeated in primary or general elections. Further, they say, since 2014 (six elections), a total of 125 House incumbents were defeated: an average of 21 per election (remember, out of 435 seats).
That’s the reason we keep getting the same non-functional Congress we all hate not doing what we want: because we only vote for our own representative. It doesn’t matter what I think of the Speaker—who lives in Louisiana. And it doesn’t matter what I think of the minority leader—who lives in the next district over from mine in Brooklyn. Neither does my opinion of any of the 432 other members of the House matter. I only have a say in who will represent New York’s 9th district. And the two major political parties have done such an excellent job of choosing their voters through political gerrymandering that almost none of the 435 districts have any chance of changing the party of the person who represents them.
A year ago—in April of 2025—Fair Vote said that 81% of the House seats were already decided… for the 2026 election! And this is not surprising or new. It’s been going on for decades.
So when everyone around me expresses optimism for change following the election of 2026, I’m the Eeyore. I’m the one who is not looking forward to the results, because I don’t expect very much, if anything, to change. Unite America claimed that only 69 of the seats were competitive elections in 2024. We’ve seen absolutely no reason to think it will be any different this time around. https://www.uniteamerica.org/articles/research-brief-why-are-most-congressional-elections-uncompetitive-2
And this is one of those times that I don’t have a solution to propose. We’re stuck. We’ve let the parties gerrymander the country too damn far, and we can’t find a way out of it. So as much as I hate that Congress has abdicated its responsibilities; as much as I hate that Congress—even if its members wanted to—can’t do anything it should; as much as I hate the political gridlock caused by extreme politicians who only campaign in the primaries because they don’t have to compete in a general election… I fear we’re stuck with it all until we can find a way to tear down walls of power that the Democans and Republicrats have built for themselves.
The New Americans: A Saga of Immigration and Family
After being forced to kill in order to protect their widowed mother, three brothers escape Mafia-controlled Sicily to the New World.
Life for immigrants in America during the second decade of the 1900s is difficult and often harrowing, but that’s the reality into which Peter, John, and Angelu Donatello are thrust when their ship docks in Philadelphia. As Peter tries to make his way in this new land through honest hard work, John’s talents—many learned fighting in the Great War—lead him to the seamier, but potentially more profitable, underworld. And all the while, Angelu, the youngest brother and a true innocent, struggles to just find a place for himself in a world he can never truly understand.
Prohibition may make criminals of honest men, but it also allows poor immigrants to mingle with the upper classes; the Donatellos among them. Yet, despite war and crime, marriage and loneliness, honor and betrayal, the brothers, each in their own way, cling to their creed of Supra tuttu la famigghia: Family is all.
Eventually, everything will lead them back to Sicily, to a confrontation with the forces that have shaped their lives, and to a heart-wrenching reconciliation.
Reminiscent of John Jakes’ Bicentennial series, The New Americans by Tony and Ty Drago is a wonderfully moving saga. The genesis of the story is itself a tale: in his final weeks, Tony Drago tape-recorded what his son Ty thought were simple reminiscences. It was only in the years following Tony’s death, after Ty became an established novelist, that he listened to the tapes and realized his father had left him, not a family history, but rather an emotional novel of immigration, rebirth, and growth. Milherst Publishing is honored to bring this story to the world.
The New Americans, by Tony & Ty Drago, will be released in six monthly installments, as both trade paperbacks and ebooks.
1: Fuggitivi. $10.99, 182 pages, ISBN 978-1-5154-5842-5. February 3, 2026.
2: Strangers in Paradiso. $10.99, 186 pages, ISBN: 978-1-5154-5843-2. March 3, 2026.
With the end of the Great War, immigrants are no longer needed for the hard work in the Philadelphia Ship Yard, and Peter and Angelu are unceremoniously dismissed. Peter however, lands on his feet, taking employment as a delivery driver for a sugar company, a job fraught with the danger of hijackings. On another front, his continuing language lessons lead him toward a relationship that will eventually define his life. Angelu, on the other hand, feeling increasingly lost in the big, confusing city, finds himself bitterly out of his depth.
The arrival of Prohibition brings upheaval to America, but it also provides opportunities for those who can adapt. And, calling on relationships made in the Army, John is able to adapt quickly. Though he’s hiding from his brothers, he knows his mission is to ensure his family’s security… by any means necessary.
Billionaire inventor Edison Smith pays for the Lemuria 7 moon mission as a tourist trip, sending media into an uproar. Is it a case of conspicuous consumption? Fodder for the tabloids? Actual, privately funded scientific research? Or something else? It turns out to be all of those things at once, and more.…
When Smith, his wife Mary Alice, their daughter Amelia, Amelia’s fiancé Todd, and the crew of Lemuria 7 disappear, the only conclusion to be drawn is sudden equipment failure leading to catastrophic disaster. But there are hints that such might not be the case.
Believing it was something more—and hoping against hope that the inevitable outcome might not have been so inevitable—Merlin Feng sends robots, and then people (including himself) to the Moon to find out what happened to the Smiths, who were like family to him. That mission, too, encounters… problems.
When three-time Hugo Award winner Allen Steele is telling the tale, you can be assured there is more happening than meets the eye. Deeper mysteries and hidden motives mean that Lemuria 7 will live forever, even if the Smiths don’t.
Lemuria 7 by Allen Steele Fantastic Books Publication date: July 14, 2026 Trade Paperback: 204 pages, $12.99, ISBN 978-1-5154-5850-0 Hardcover: 204 pages, $21.00, ISBN 978-1-5154-5851-7 Ebook: $5.99
Lemuria 7—and all Fantastic Books books—are distributed via Ingram. Review copies are available upon request.
Ian Randal Strock 